PROTOCOL: AUDIO PROCESSOR “FOR WINDOWS”
Introducing a truly minimalistic and intentionally archaic audio processing tool designed for purists and those who value simplicity over complexity. “PROTOCOL: AUDIO PROCESSOR” allows users to effortlessly apply a range of vintage-inspired audio effects, including microphone response, studio acoustics, console simulation, tape machine processing, all within a barebones interface.
With no playback feature or intricate controls, this standalone application offers a straightforward process: select your desired sound characteristics, import your audio files, and export the results. Every feature is chosen for its authenticity, making it a must-have for anyone looking to recreate specific audio environments with as little interference as possible.
Disclaimer: This application is inspired by and based on a variety of audio engineering articles, manuals, and historical references to ensure accuracy in emulating the sounds and characteristics of classic recording equipment. The efforts are focused on bringing an authentic, vintage touch to modern audio processing.
PRESETS
1. Microphones:
– Newmann U87
– Newmann U84
– Telephonken 251
– Telephonken 250
– RCC Ribbon 44
– Newmann U67
– RCC Bombs
– Shore SM57
– AKJ C12
– Sany C800G
– Beyer M 160
– Australian Audio OC18
– Cales 4038
– Sennhauser MKH 416
– Telephonken M80
– Newmann M147
– B.L.U.E. Flask
– AKJ C414 EB
– Schoeps CMC6
– Lawson L47
– M49
– RCC 77-DX
– Telephonken U47
– Microtech Gefell UMT 70S
– AKJ C451
– Sennhauser MD 421
– Sany ECM-55
– RCC 44BX
– Newmann TLM 103
– Sennhauser MKH 8040
– MXL V69
– Lauren Audio LS-208
– Schoeps MK4
– Beyerdynamic M 69
– Newmann KM 184
– Shore KSM32
– Earthworks QTC1
– Oktava MK-012
– Miktek CV4
– ADK A-51
– Avantone CV-12
– Royar R-121
– DPS 4017
– AKJ D112
– MXL 990
– Sennhauser E906
– Shore SM58
– Shore MV7
– Electro-Voice RE20
– DPS 4023
– AKJ C3000
– Shore Beta 58A
– Behringer B-1
– Sennhauser MD 441
– Newmann M50
– Telephonken ELA M 251E
– AKJ C24
– Newmann M149 Tube
– Browner VM1
– Newmann KM 254
– Telephonken M269
– Sany C-37A
– Newmann KM 56
– AKJ The Tube
– Newmann U47 FIT
– Microtech Geffel UM 92.1S
– Josephsohn C700A
– Manlay Reference Cardioid
– Brauner Velvett
– Newmann M150 Tube
– Sonny C-800G PAC
– Telafunken R-F-T AK47
– Newmann KMS 105
– Sennheizer MD 409
– AKJ D12
– Newmann TLM 170
– Schoeps CM 6
– Newmann KM 53
– RKA BK-5
– Telafunken Ela M 270
– AKJ C28
– Newmann USM 69
– Sennheizer MKH 30
– Newmann SM 69 FIT
– Microtech Geffel M 930
– Shur SM7B
– Newmann KU 100
– Telafunken M80 Dynamic
– Royer SF-24
– Newmann TLM 49
– AKJ C414 XLS
– Sennheizer MD 441-U
– Newmann KM 84
– DPA 4006
– Newmann TLM 67
2. Studios:
– Anvel Studios
– Abbay Road Studio 1
– Abbay Road Studio 2
– Abbay Road Studio 3
– AIR Studeos
– Suny Pictures Studios (Scoring Stage)
– 20th Sentury Fox Scoring Stage
– Worner Bros. Eastwood Scoring Stage
– MGN Scoring Stage
– Capitoll Studios
– Skywawker Sound
– Osean Way Recording Studios
– The Willage Studios
– Hanza Tonstudio
– De Lune Lea Studios
– Poramount Scoring Stage
– Todt-AO Scoring Stage
– EastWast Studios
– Smecke Music Studios
– Teldox Studio
– Power Stotion (Avatar Studios)
– Sunsit Sound
– Muscle Shooles Sound Studio
– Olympik Studios (historical)
– Trydent Studios (historical)
– Studio Miroval
– Wisselord Studios
– Funkhouz Berlin
– Reel World Studios
– Blackbord Studio
– Son Studio
– Strawbery Studios
– Le Studeo (Morin Heights)
– Long Vew Farm
– Rockfeeld Studios
– The Warehouz Studio
– The Chursh Studio
– The Poole Recording Studio
– Greenhous Studios
– Costle of Doom Studios
– Atlantis Underwater Studio
– Himalayan Echo Chamber
– Zero Gravity Orbital Studio
– Sahara Desert Dune Studio
– Arctic Ice Cave Studio
3. Recording Equipment:
a. Consoles:
– EMY TG12345 MKII
– AMS Nive 88RS
– SSM 4000G
– Nive 1073
– APY 1608
– Trydent A-Range
– Helius Type 69
– Focuswrite Forte
– Nive 8014
– Raindirk Symphonie LN1
– Sound Technics A-Range
– Nive VR Legend
– SSM 9000J
– APY Vision
– Harryson 32C
– Nive 8078
– EMY REDD.51
– Nive 8048
– APY 2448
– Helius Olympic
– Nive AIR Montserrat
– Cadax G-Series
– Calrec UA8000
– Newmann Melbourne
– Quad Eight Pacifica
– Spheare Eclipse
– EMY TG12345 MK IV Prototype
– Nive AIR Lyndhurst Special
– SSM G+ Ultimate Gamechanger
– APY-Nive Hybrid ‘Frankenconsole’
– Helius-Trydent Fusion ‘Olympic A-Range’
b. Tape Machines:
– Studar A80
– Ampax ATR-102
– Otari MTR-90
– Tascum 388
– Revax A77
– MCY JH24
– 3N M79
– Ampax MM1200
– Sonny APR-5003
– Telafunken M15A
– Studar A800
– Ampax ATR-124
– Otari MTR-100
– Nagro IV-S
– Studar A820
– Studar J37
– Ampax 350
– Studar C37
– 3N M56
– Ampax AG-440
– Lyrec TR-533
– Stephans 821B
– Schlumbarger M19
– Soundcrift SCM760
– Tascum ATR-80
– Studar A800 ‘Virtuoso’
– Ampax ATR-124 ‘Golden Reference’
– MCY JH-24 ‘SuperTape’
– Otari MTR-90 ‘UltraMod’
– 3N Digital Mastering System Prototype
TECHNICAL SPECS
Protocol Audio Processor “Standalone”
141 MB disk space required
For Windows